Style 4037, Take Two

I first made a dress from Style 4037 in 2018. I wear it constantly - I think it's my favourite dress! It's comfortable, summery and I feel good in it. 

So when I was trying to think what to make with this precious fabric I won from Minerva in a contest, I decided to remake this dress. 

I love the print and it's uneven enough that I didn't have to worry too much about matching it up across the bodice seams or on the patch pockets. It's a flowy rayon, although this Minerva exclusive print is also available in other substrates (I'm eyeing some linen...). 

I always like a square neckline, and it suits this print well. I made this version longer than my first one, partly because longer skirts are in vogue currently, and partly because I love the flow of this fabric around my legs! 

There were not supposed to be any difficulties with this one; I made it the same as my last one, taking in a 1/2" at the front neckline and reducing the fullness of the back skirt by half. But it was a bit of a comedy of errors: the bodice was far too narrow, even though I thought I had cut it exactly the same as my last (perfectly fitting) dress from this pattern. I didn't want to waste my fabric so I inserted a 2" band in the centre back - due to the print it doesn't look like an insertion at all, thankfully! Then I stitched the bodice to the gathered skirt backwards, and since I didn't think patch pockets on my behind would be much use, I unpicked it and tried again! 

But I finally finished it and really love it. It took me a while to finish  - I cut it out and then stalled on it, due to my slowed down sewjo and also due to being distracted by clearing out my pattern stash (it had to be done!) And mistakes while sewing always make me put it aside for a bit, too. 

But the pattern is pretty easy if you don't make silly mistakes! I have been repeating patterns this summer as a way to get my sewjo going again. But after a couple of these easier projects, and a look through my entire pattern stash, I'm starting to feel like I want to sew more regularly again. I will still need to go through both my fabric stash and my current wardrobe to streamline those as well, and then I think I'll feel more on top of what to sew next. 

Do you ever feel stifled by just having too much and not knowing what to do next? I really want to be intentional about purchasing, making and wearing so that I don't get myself into these bouts of analysis paralysis! The good thing is that I absolutely love this fabric, and am so happy that I've made it up with a pattern I also know I love. 

Patch pockets on the front!

Weekend Review: The Missing Pieces of Nancy Moon

 

The Missing Pieces of Nancy Moon / Sarah Steele
London: Headline, c2020.
416 p.

This is a typical kind of British family saga, in that there are multiple generations involved, family secrets, and a young woman at the heart of it all. But it's also particularly fascinating since it includes two women who are fashion sewists, lots of talk of dresses, fabrics and vintage sewing -- the structure of the book depends on it. 

As the book begins, Flo is at her grandmother's funeral. She was mostly raised by her gentle grandparents, so this is particularly wrenching for her. Also, her marriage is cracking up due to a miscarriage she had in the last year. All the sorrow is getting to be too much for her. 

She decides to stay at her grandmother's house after the funeral for some alone time, and wandering about, looking for an old sewing machine she knows must be there somewhere (Flo is one of the sewists in the book) she stumbles across a box of vintage patterns in her grandmother's bedroom closet. Flo has never seen it before, and as she opens it, she discovers a seamstress named Nancy - who is unknown to her. 

Nancy is from her grandmother's generation; the reader certainly knows a lot more about Nancy Moon than Flo does. It's a long trek for her to find out more, and that is what the book is all about. Flo's husband goes to American for a teaching gig, leaving her at loose ends; with the encouragement of her friend Jem, she decides to travel across Europe, following Nancy's path as much as she can from what she can decipher from the sewing patterns, which have postcards, ticket stubs and fabric tucked into the envelopes. She also decides she is going to duplicate the dresses that Nancy made so that she can wear them on her trip. 

While we don't see or hear much about Flo's process of making the dresses (pretty quickly I'd say) we do follow her to Paris, and then to Venice and beyond, as she tries to replicate Nancy's movements and research where and what and why. Each section, based on a location, moves back and forth between Flo's era and Nancy's, and we get to engage with both of them and their varied experience in different decades. It's also interesting to read it this way, as the reader can follow Flo's investigations and see whether she's on the right track or not. 

I enjoyed the descriptions of the dresses that open some of the chapters, and the discussion of style and fabrics and individuals who are highlighted because of the statements they make with their wardrobe choices. The author has included a gallery on her website that shows all the vintage covers of the patterns she discusses in the book, if you want a good look at the outfits that both Nancy and Flo are making. 

There a few moments in this book in which coincidences strain credulity, but overall it was an engaging read with some good character development. And the settings are also quite lovely to read about! If you like books about family secrets and sewing, I'd definitely recommend you give this one a try.