Showing posts with label bookclub. Show all posts
Showing posts with label bookclub. Show all posts

Friday, October 23, 2020

Literary Sewing Circle: Finale & Project Link Up

Today is already our final day of the Literary Sewing Circle focusing on Louise Erdrich's The Night Watchman! 

I hope you've had the chance to read the book, and both the first and second inspiration posts, and are getting lots of ideas for a project of your own.


The project linkup will be added to the bottom of this post: as soon as you are done your project, just pop a link to your post into the linkup and we will all be able to visit your blog/instagram etc. and explore your creation -- remember, it can be sewn, or knitted, crocheted, embroidered... any textile art that you practice.


Here are my thoughts on this book. 

I enjoy Erdrich's style; it's a calm, measured narrative voice but with little flashes of quiet humour as well. I appreciate that technique. Also, the care she takes in her descriptive writing really enlivens and illuminates the story and the setting. The small details bring the reservation to life in all its physicality -- the land, the trees, lake, animals, sky -- everything is so lovingly evoked, but not in a sentimental way. I think that sometimes that can be a hard balancing act but she seems to do it effortlessly. These kind of descriptive details also evoke the characters effectively; you can almost see each of them with their distinctive traits. 

And the characters are so wonderful! There are so many of them but they are all people. You can feel the life going on behind them, the parts she doesn't talk about. The "leads" are Thomas and Patrice, but the connections between them and all the others on the reservation, and at the factory or in town, are vital as well. Each of the small side characters have a role and a purpose, and even though at times some of the brief appearances might seem unimportant, the book wouldn't be so complete without all of the paths crossing, and the existence of each character in the narrative.

The book was inspired by Erdrich's own grandfather's work in defending the Turtle Mountain Chippewa against termination in the 1950s, but there is no sense that this novel is only dry biography or reportage. She takes this important topic and weaves it into a story of people and life that manages to highlight and illuminate the real costs of political wrangles and racist intent. I found that getting to know the individuals in this story, their concerns, their daily experience, their ambitions and relationships and longings, makes the rest of the story stronger and more compelling to the reader. 

I also liked how the story kind of wanders along in short chapters, moving between characters and seemingly small moments or experiences, with small flashes of each life. The oddity of Patrice's trip to the city to look for Vera fits in with this somehow, as does Millie's life at university and her sudden involvement with her father's family on the reservation. I found this an almost hypnotic read that carried me along until it was suddenly done -- maybe it was the mood I was in when I began it, but I found it just about perfect. I loved it a lot, and I hope you all did too. 

Please share your thoughts on the book, its themes, characters, or anything you noted about it -- either in the comments here or on our first Book Talk post, or on your own blog with a link to your longer thoughts in the comments so we can find it. I love to talk about the experience of reading so feel free to comment no matter when you're reading this post; if you've read this I'd love to hear your thoughts.



What project have you made, inspired by your reading of The Night Watchman? Share a link to your project on this post as soon as you're done! I've extended the linkup an extra week since some readers were having delays getting their hands on a copy, so the linkup will be live until Nov 20 --  you have another month of sewing time to finish and share.


Friday, March 20, 2020

Literary Sewing Circle: Book Talk


I am shifting around the scheduled posts a bit, so today's the day for some serious book talk! Our author feature will be posted a little later in the sewalong. How are you doing with the book? Have you started it yet? Finished it? Do you have any reactions you'd like to share? 

Here are a few questions to ponder today and for the next while -- whether you have begun reading, or you've only read blurbs & our interview so far and still have something to say, join in! Although there might be a few spoilers in the questions and discussion below so if you haven't got too far yet you might want to come back to this post.

I'll add some of my own thoughts and you can reply to them or add your own impressions. If you want to hear other takes on a part of the book that you are curious about, leave your own questions in the comments, too. I hope you are all enjoying it so far!




1. What was the first thing that drew you to this book? Was it the setting? The historical context?

I first picked up this book because I read everything by Susanna Kearsley as soon as it is available. But I was particularly interested in this one because of the time period of the past story. I studied North American history in university, and found the era of Wolfe & Montcalm fascinating, although I studied it mainly from the Canadian perspective and didn't think much about the American involvement. This story fleshes out that time period and I loved all the detail. 

2. There are multiple characters interacting both in the past and present storylines. Did you have any difficulty keeping them straight? Do you like this kind of read?

I love this kind of read, with tons of people involved and side characters who are fully developed, who give you a feeling that they have a full story of their own. I didn't have too much trouble following it, as I usually just go with a story like this and find that it sorts itself out in my head soon enough. The author helps here, though, by not giving characters similar names and by giving them all characteristics that differentiate them. I also like how the two stories are linked in the end. 

3. The romance element in both storylines is a slow build -- did you find it believable? Romantic enough for you?

I loved it! I liked Lydia and Jean-Philippe a little more; their romance felt a bit more true to the time period to have it slow and sedate. Charlie & Sam didn't seem to talk anything over though, they just suddenly became a couple. I can see them fitting well together but might have a liked a little more spark there. Charlie was too busy with everything else to have a grand romance, though! 

4. Both Sam and Jean-Philippe are the strong & silent type. The unappealing men, like Tyler or De Brassart, are both smooth talking charmers. Kearsley's type is clear -- do you also have an identifiable type? Do you agree with her characterizations?

I also prefer a quieter man with character and strength, so always find Kearsley's heroes appealing. The charmers are not so attractive to me. However, I did find that Tyler was very shallow (even perhaps a little one note), and wondered why the clever Charlie didn't see it as soon as everyone else in her life. Sometimes a charming man really is charming though, and can be a hero as well as a villain; perhaps some of Tyler or De Brassart's more redeeming qualities could have been shown as well.

5. Did you enjoy the ghostly elements of the story? Did you guess who the ghost was before it was revealed?

I love the ghostly elements of Kearsley's stories. This kind of slightly paranormal, slightly gothic romance story is one of my favourite kinds of read. This ghost was very homely and not very alarming, though I did not guess who it was before Kearsley revealed it in the end. It makes sense in the context, but wasn't what I'd expected. 


6. The legend of Lydia, her French officer, and the ghost that haunts the Wilde House grounds turns out to be wrong in several respects. Did you see the twists coming?

I really didn't, until close to the end. I was hoping that the tragic tale wouldn't be so tragic, and trusted that Kearsley would be able to find her happy ending. I love the legend though; it feels like something that people would tell about a historic house, and really liked how Charlie and the museum used it for their programming. I'd have definitely done the same as a museum director! I did like the legend as much as the real story of Lydia & Jean-Philippe. 

7. Is there a particular character that you found especially compelling? Any themes or symbols that really resonate with you?

I liked Lydia a lot -- she worked hard, was very efficient, brave, artistic, and had strength of character. And seemed willing to examine her own prejudices as necessary. I thought she was a good character to focus a story on. But I also found Violet very compelling. She seems like a person apart -- almost putting a face on during her parts of the story, but having a deep and complex life outside of this narrative that we can only glimpse. The modern day side characters are intriguing, too -- Frank's bluntness, Malaika's leadership, Charlie's fragile grandmother -- I found so many little bits to think about.

I found that on reading and rereading this one, the setting was very much part of the experience for me. I love the way that Long Island and New York are evoked both past and present, and would have also loved more on Quebec. I really do like the past era, though, and maybe that's another reason why I enjoyed this so much.

8. Is there anything specific  in the book that has sparked an idea for a project yet? Are you mulling over any ideas?

I think there are many, many directions to go in with a project. Past, present, imagery, characters, places, colours... a lot to work with! You could go with an historical recreation, or a modern reinvention, or something just lightly connected in some way. 

I am thinking about something inspired by New York, or maybe some of the imagery early on in the book. I have a great NY print that I might use, or perhaps just some bright yellow like Lydia's gown. There is also the fall imagery of apples and leaves that might appear somewhere...clearly I haven't quite decided! 


Friday, September 13, 2019

Literary Sewing Circle: A Tale for the Time Being


Fall has arrived, and with it our Literary Sewing Circle autumn round! I'm really thrilled to have both a wonderful Canadian book as our featured read, and an amazing sponsor too!

I'm happy to announce that our group read for this round of the Literary Sewing Circle is

A Tale For The Time Being by Ruth Ozeki




Summary:

In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying, but before she ends it all, Nao plans to document the life of her great-grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in a ways she can scarcely imagine.

Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. 

Full of Ozeki’s signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

(from Goodreads)

About Ruth:

A longtime Buddhist practitioner, Ruth was ordained in 2010 and is affiliated with the Brooklyn Zen Center and the Everyday Zen Foundation. She lives in British Columbia, and New York City.

Her first two novels, My Year of Meats (1998) and All Over Creation (2003), have been translated into 11 languages and published in 14 countries.

Her most recent novel, A Tale for the Time-Being (2013), won the LA Times Book Prize, was shortlisted for the Man Booker Prize and the National Book Critic’s Circle Award.

(excerpted from Ruth Ozeki's website)

photo by Latrippi


This book is available for purchase in both hard copy and ebook formats, as well as in audiobook format (read by the author!)

You can find many formats at all of these locations:

Amazon.ca

Amazon.com

Amazon.co.uk

Amazon.com.au

Book Depository

IndieBound

Chapters Indigo

Powell's

Barnes & Noble

Biblio.com

ABE Books



Or, of course, check your local library!


**************************************************

How does the Literary Sewing Circle work? We read a book together, discuss it, and then make something inspired by our reading. As long as you can point out what inspired you from your reading, even if just a sentence, you can share your makes in our final roundup!

Anyone can join, and you can sew, knit, quilt or embroider - any textile art that you like doing - to participate. This is a reading/sewing circle, very low-key; no competitions here, just reading and sewing for fun. Although we are very lucky to have a special sponsor offering this time around -- one of the finished projects will be chosen at random to receive the free pattern offering. Just finish and post your project by the end of the linkup and you will have a chance to win.

There is no official sign-up to worry about; just start reading along if you wish, and leave your thoughts on the book or your project on any of the Literary Sewing Circle posts. We do have a dedicated book discussion post halfway through and again at the end, but leave your thoughts anytime. And when the final post goes up, so does the project linkup -- you can leave a link to your finished project there, whether it is on your blog, a pattern site, or even Instagram. It's easy :)

So, join in, and share!


Literary Sewing Circle Schedule

Sept 13 - Announcement & Introduction

Sept 20 - Inspiration post & featured sponsor

Sept 27 - Author feature

Oct 4 - Halfway mark: book talk

Oct 11 - Inspiration post

Oct  18 - Final Post: book discussion wrap up & posting of project linkup

(The project linkup will be live until November 15 - a month - so you have enough time to get your project posted)

******************************************

And now for our sponsor! 



Yuki of Waffle Patterns has agreed to sponsor this round of the Literary Sewing Circle! Waffle Patterns are chic modern styles with a Japanese flair, and can be purchased via the Waffle website. 

Waffle Patterns has just released a new jacket pattern, the Arare pullover, a classic anorak style jacket which is currently on sale as a launch deal. Check it out!



Anyone who reads along and posts a link to their finished project by Nov 15 will be eligible for the draw to win a 30 Euro coupon to the Waffle store! (~3 patterns). Get your projects in to have a chance for this great sponsor offer. Thank you Yuki!

My favourite Waffle pattern: the Snowball Dress!

Friday, March 1, 2019

Literary Sewing Circle: Finale & Project Roundup!



Today is already our final day of the Literary Sewing Circle focusing on The Painted Girls! I hope you've had the chance to read the book, and both the first and second inspiration posts, and are getting lots of ideas for a project of your own.

The project linkup will be added to the bottom of this post: as soon as you are done your project, just pop a link to your post into the linkup and we will all be able to visit your blog/instagram etc. and explore your creation -- remember, it can be sewn, or knitted, crocheted, embroidered... any textile art that you practice.

Photo by Quino Al on Unsplash
Today's post also gives us the chance to talk about our reading experience a little more. If you haven't yet had a chance, check out our first discussion post for some specific questions and feedback from readers -- also take a look at the interview with Cathy Marie Buchanan and see if it raises any questions for you.


Did you enjoy this novel? Did you have a favourite character? Was there a theme which particularly resonated? What part of it stood out for you as your inspiration for your project? Was there anything you didn't like about this novel? Had you heard of it prior to this readalong? Did you recognize any of the character quirks in the story? What did you think of the mix of real people/history and fiction? Do you think that the role of art in any form was clearly defined in this story?



Photo by Héctor J. Rivas on Unsplash


Here are some of my thoughts on this novel.

I read it first some years ago, and enjoyed my second read. I have a soft spot for stories featuring three sisters, especially when the middle sister has a starring role! (can you tell I'm a middle sister?)

But seriously. I appreciated the way that the author fleshes out all the sisters in this story, and delineates their relationships. Each sister has a distinct personality, and a different essential driving purpose. It's the sisters who keep each other going, since their mother has her own issues to manage.

There is a lot to consider in this novel, from the power of art, to the effect of critics (thanks to Sara for pointing this out in the last book discussion post), to relationships whether sibling or so-called romantic ones, to discussions of what the right thing is in a fraught moral situation. Is gaining an abonné in the ballet any different from working in a fancy brothel, or does it just depend on your options? What opportunities did women have in this era? I think the sisters show a wide range of life choices, both workwise and romantically. And there are men as side characters who are important mostly for their role in Antoinette or Marie's lives -- I appreciated how the story focuses on the women and their inner lives, their relationships, but also investigates their place in the wider world, ie: how they will make their livings.

I'm not generally a huge fan of real people as fictional characters but I thought that Buchanan was able to take what was known about these characters and spin it into a respectful and well-considered fiction. She didn't attribute unfounded or horrible character traits to any of the real people, which is something I have seen in other historical novels and found uncomfortable. Rather she makes a compassionate, probable guess at them and so the characters are sympathetic and complex at the same time.

I also liked the focus on art via Degas -- painting studios, casting bronzes etc, all the discussion of the actual process of art -- and the focus on ballet as a discipline. The scenes in the studio show the work and the ambition driving the performers, and the joy of performance also comes across when Marie or Charlotte get to take the stage. I feel the same of joy in process and routine when I'm stitching or garment sewing, and can only hope to reach that joyful state of flow now and again.

As to my project inspiration...I had many ideas as I was going through the book. The setting really spoke to me, and the idea of clothing fostering movement and lightness took hold. But as I read over the final few pages again while pondering my responses to this book, I was struck by this image of sisterly connection between Marie's daughters:

We take a moment -- Antoinette and I -- standing side by side, shoulders touching, and peering through the window in to the rue de Douai. Matilde holds a feather, rose-colored and magnificent with long strands of the vane wafting in the breeze.... She stops, abrupt, a few steps short of Geneviève and holds out her find. She gives it the little nudge that makes Geneviève understand, and she reaches for the feather, those wispy tendrils of love offered by her sister as a gift. 

Thus, my ideas are now floating toward a feathery dress, and I know the perfect one: the Plume (Feather) Dress by Louis Antoinette (there's even a nod to Antoinette there). I'll be looking through my stash to see if I have appropriate fabric there, and will share my full plans once they are set. Although, in our last Literary Sewing Circle round, I did change my project completely between plans and project so who knows! If you are making plans, please share them in the comments, I'd love to see them.

Photo by Esther Ní Dhonnacha on Unsplash


What project have you made, inspired by your reading of The Painted Girls? Share a link to your project post here! Links are open until MARCH 31 so you have lots of sewing time to finish and share.

Don't forget that any finished project shared by the deadline will be eligible for a draw for a free pattern code from one of our sponsors, Orageuse or Louis Antoinette. Get your projects in!

Friday, February 8, 2019

Literary Sewing Circle: Interview with Cathy Marie Buchanan

This week we have a special feature: an interview with the author! Cathy Marie Buchanan is both a writer and a sewist, and has shared some of both of those worlds with us. Read on for more!


photo credit: Heather Pollock

1. Welcome Cathy, and thank you for taking the time to do this interview for the Literary Sewing Circle! Can you tell us a bit about how you came to write The Painted Girls? What was the genesis of the story?

Years ago, I happened on a television documentary called The Private Life of a Masterpiece: Little Dancer Aged Fourteen. I would learn Marie van Goethem, an impoverished student at the Paris Opéra Ballet School, had modelled for the famous Edgar Degas sculpture. I would also learn that on its unveiling back in 1881, the public linked Little Dancer with a life of vice and young girls for sale. She was called a “flower of the gutter” and her face was said to be “imprinted with the detestable promise of every vice.” Such notions were underpinned by a long history of often less than noble liaisons between the young dancers at the Paris Opéra Ballet and the wealthy male season ticket holders. The revelations flew in the face of my modern-day notions of ballet as a high-minded pursuit of privileged girls. I was fascinated and knew Marie’s story was one I wanted to tell.


2. The relationship of the sisters in The Painted Girls is so richly drawn. How did you approach the work of combining real people from history and your fictional story when creating these characters?

As one of four sisters, I have often found myself contemplating the mysteries of sisterhood, both the rivalries and the profound love.  I think it was inevitable my story would hold up a magnifying lens to sisterhood, that deliberate or not, a writer’s preoccupations quite naturally find their way onto the page.  In writing The Painted Girls, I stuck to the few known facts of the sisters’ lives—mostly demographic data recorded in the ballet school registrar and the limited details noted in the day’s press. That left plenty of room for imagination and, of course, my experience as a sister and an observer of sisters shaped the interactions between Marie and her sisters.


3. The details of the physical side of ballet are so believable in this story. Do you have personal experience, or do you just do a fantastic job of research?

I studied classical ballet quite seriously throughout high school, taught during the early years of university, and danced with a small regional company for a number of years. Yes, ballet is near and dear to my heart.


4. I know that you are also a sewist and have made some pretty fabulous outfits. Can you tell us a little more about your sewing life - how long have you sewn, and what are some of your favourite creations?

I learned to sew in high school Home Economics class, though I come from a line of sewists so there was always someone at home to advise (or critique). As a teenager, I sewed most of my clothes and designed plenty of them. I suppose my most accomplished projects are the wedding gowns I made for myself and my three sisters. For my own, I decided to copy a heavily beaded wedding gown from 1920s photograph.

Years later, when I tackled my first novel, The Day the Falls Stood Still, the old adage “write what you know” came into play, and I chose to make the book’s narrator, Bess, a dressmaker.  In that novel, same as I had, Bess spends long hours beading a 1920s era gown and certainly readers will find much of my experience on the page. Lately, beyond the two gowns I made for the Toronto Public Library’s Book Lovers’ Ball, my projects seem to consist of mending and home décor.





5. There are many threads woven in to this story for readers to explore. What do you hope readers will take away?

One the comments I often hear from readers is that The Painted Girls has shaped the way they view Edgar Degas’s artwork. I like the idea of my readers scrutinizing Little Dancer with new appreciation for the artist and model, and the social forces that informed the sculpture.


6. What are you working on now?

I’m in the final throes of editing another work of historical fiction, this time set in Iron Age Britain on the eve of Roman conquest. The as-yet-untitled novel tells the story of Smith, Devout and their daughter Hobble, who has the gift of prophesy and walks with a limp. With old customs dictating human sacrifice in times of great stress, anxiety mounts as the Romans draw closer to the family's remote settlement.







 



Thank you for sharing some of your writing and sewing journeys with us, Cathy! We hope you'll enjoy seeing the projects we make inspired by your writing. 


You can find more about Cathy here:






Friday, February 1, 2019

Literary Sewing Circle: Inspirations




Today's inspiration comes from the setting of The Painted Girls.

There are lots of great patterns that are either designed in France or that evoke France in many ways!

Let's start by exploring the offerings of our sponsors, all French pattern companies.

Louis Antoinette has many designs that could be made up in a lovely print such as this one, which comes as a kit with the perfect fabric & haberdashery included (and it's on sale). You'd have to add on the pattern for the Robe Lolita here.


Or you might want to go more 19th Century with a Gotham Cape to wear over your frocks on a cold Parisian night...




Orageuse has a modern, no-nonsense style that might represent a menswear element -- for example this high-necked view of the Prague Blouse in a lacy fabric plus the high-waisted Acacia Trousers and Amsterdam Blazer along with that very cute hat, makes for a very vintage inspired look.



And Deer & Doe offers up some choice dresses as well: the Centaurée Dress in its long view almost looks like something that might be worn on stage by dancers.


And their pretty Airelle Blouse could easily pass for a turn-of-the-century top if styled with a long skirt and button boots rather than bright short shorts!



You might find some ideas from other French pattern companies as well, like Ready to Sew -- their free Justine Skirt is a long front buttoned one that could have a shirtwaist added to it and instantly look quite 19th century!



Their Jolene Shirt Dress is also a vintage feeling one, less 50s retro, more turn of the century retro (I love it)


You could also check out English designer Tilly and the Buttons, as she has many patterns inspired by French style, even in the names she's chosen for them -- like the Coco Dress or the Francoise Dress -- and check out the styling of the new Nora Top pattern!



Maybe you'd just like to make some French style accessories, using this free tutorial for a stylin' French beret by Erika Bunker, on WeAllSew or this free head scarf pattern for the Brigitte Scarf from Tilly & the Buttons.

And if you want a whole lot of new ideas, try looking for this book: Home Sewn French Style by Amelie Morin-Fontaine for ideas ranging across France and from home decor to garments.




To find even more French pattern inspiration, you must explore this wonderful resource of French pattern designers compiled by Rachel of House of Pinheiro -- make sure you have enough time as there are tons of great links to explore. You've been warned!

Our next inspiration post will look more deeply into the characters for ideas about what to sew. Do you have any ideas yet? Share them in the comments!


Friday, January 25, 2019

Literary Sewing Circle: The Painted Girls



It's time for our first Literary Sewing Circle of 2019! I'm really thrilled to have both a wonderful Canadian book as our featured read, and new this edition, we have 3 amazing sponsors too!

I'm happy to announce that our group read for this round of the Literary Sewing Circle is

The Painted Girls by Cathy Marie Buchanan





Summary:

Paris. 1878. Following their father’s sudden death, the van Goethem sisters find their lives upended. Without his wages, and with the small amount their laundress mother earns disappearing into the absinthe bottle, eviction from their lodgings seems imminent. With few options for work, Marie is dispatched to the Paris Opéra, where for a scant seventy francs a month, she will be trained to enter the famous ballet. Her older sister, Antoinette, finds work — and the love of a dangerous young man — as an extra in a stage adaptation of Émile Zola’s naturalist masterpiece L’Assommoir.

Marie throws herself into dance and is soon modelling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. Antoinette, meanwhile, descends lower and lower in society, and must make the choice between a life of honest labor and the more profitable avenues open to a young woman of the Parisian demimonde—that is, unless her love affair derails her completely.


(from Goodreads)



photo credit: Heather Pollock

About Cathy:


Cathy Marie Buchanan’s The Painted Girls is a #1 National Bestseller in Canada, a New York Times bestseller, and an NPR, Good Housekeeping and Goodreads Best Book of 2013. Her debut novel, The Day the Falls Stood Still, is a New York Times bestseller and a Barnes & Noble Recommends selection.

Her stories have appeared in many of Canada’s most respected literary journals, and she has received awards from the Toronto Arts Council, the Ontario Arts Council and the Canada Council for the Arts. She holds a BSc (Honours Biochemistry) and an MBA from Western University. Born and raised in Niagara Falls, Ontario, she now resides in Toronto.

You can find out more about her at her website, cathymariebuchanan.com 



This book is available for purchase in both hard copy and ebook formats, as well as in audiobook format. 

You can find the ebook at:










And the hard copy at:












Or, of course, check your local library!


*****************************************************************

How does the Literary Sewing Circle work? We read a book together, discuss it, and then make something inspired by our reading. As long as you can point out what inspired you from your reading, even if just a sentence, you can share your makes in our final roundup!

Anyone can join, and you can sew, knit, quilt or embroider - any textile art that you like doing - to participate. This is a reading/sewing circle, very low-key; no competitions here, just reading and sewing for fun. Although we are very lucky to have some special sponsor offerings this time around -- the discounts are available for the first few weeks of the sewalong to anyone participating, and two of the finished projects will be chosen at random to receive one of the free pattern offerings. Just finish and post your project by the end of the linkup and you will have a chance to win.

There is no official sign-up to worry about; just start reading along if you wish, and leave your thoughts on the book or your project on any of the Literary Sewing Circle posts. We do have a dedicated book discussion post halfway through and again at the end, but leave your thoughts anytime. And when the final post goes up, so does the project linkup -- you can leave a link to your finished project there, whether it is on your blog, a pattern site, or even Instagram. It's easy :)

So, join in, and share!


Literary Sewing Circle Schedule

Jan 25 - Announcement & Introduction

Feb 1 - Inspiration post & featured sponsors

Feb 8 - Author interview 

Feb 15  - Halfway mark: book talk

Feb 22 - Inspiration post


March 1 - Final Post: book discussion wrap up & posting of project linkup

(The project linkup will be live until the end of March so you have enough time to get your project posted)



******************************************************************

AND NOW FOR OUR SPONSORS! 

Because this book takes place in Paris during the Belle Epoque, I reached out to some French pattern designers to see if they might be interested in sponsoring this round of the Literary Sewing Circle...and they were! Introducing our sponsors and their offers. 


Louis Antoinette is a Paris company with a very pretty aesthetic: 
many feminine dresses, blouses and tops to be found in their catalogue!
 They also offer sewing kits of fabric & pattern bundled together, and have an unusual option as well: you can order one of their designs and they'll make it for you! Check out their website for lots of details on all of these options, and you'll see lots of fun sewing accessories like bags and temporary tattoos on offer in addition to their large pattern catalogue. Their sizing seems to go to UK 18/US 16.
The Louis Antoinette "Vogue Dress" has caught my eye




Deer & Doe is a familiar name in sewing patterns! Run by two friends with an eye to environmentally friendly printed patterns and sizing up to a European 52 (XXL or US size 22) their pattern range has a variety of chic and pretty options. The Bluet and Bellandone dresses have been hits in the sewing community, and who hasn't made their free tshirt, the Plantain?

The Mysotis Dress is already a hit




Orageuse is a modern, urban sewing pattern company founded in 2016. It features minimalist, chic designs made to work together as a wardrobe. They have a few different collections on offer now, and they are very sleek designs often named after world cities. Their sizing goes up to a European 46, or US 18.
The Acacia Jumpsuit is one I've seen around the sewing community lately



The Offers:

If you're keen to get your hands on a French pattern, Louis Antoinette and Orageuse are offering 10% off their patterns during the first few weeks of the Literary Sewing Circle! 

Louis Antoinette has made their 10% discount available from 01/25 until 02/28. Use the code THREADS when you place your order.

Deer & Doe is also offering 10% from 01/25 to 02/14. Use the code LSC2019 when you place your order.

And there are prizes at the end too! 

If you submit a finished project to the linkup by the end of March, you will be eligible for a draw for a free pattern code from Louis Antoinette or  Orageuse. It will be a random draw from all finished, posted projects -- everyone who participates has an equal chance :)